For more information, please visit © Divide Frame & Steinberg Media Technologies GmbH, 2020.Īll product and company names are TM or ® trademarks of their respective owners. New features and improvements in SpectraLayers Pro 7.0.20 21 Overview Bar, Timeline and 3D Pad Area. Unmix Stems now has a Sensitivity parameter for each instrument, to adjust how the artificial intelligence perform the separation.
Spectralayers pro tutorial Patch#
The patch to SpectraLayers Pro 7 has been very nice to work with. See Unmixing Layers.It is a remarkable tool, and I suppose you could extend it to mix, but mostly, as mentioned above, it is an editing/repair tool. While I havent been through everything, it is markedly more stable on my setup. The Unmix feature has been helpful in carving out voice in a few recordings so that I may manipulate some reverb reduction. Atención personalizada 946 545 762 y gratuita. I've used it, back when Sound Forge owned it (well, whoever owned Sound Forge that week). Descargas, Noticias, Sonido, SpectraLayers Pro y Tutoriales, Carlos Mariño, Cubase PRO, Tutorial Cubase PRO y Tutorial Sonido. I think the price far exceeds the utility. Extract this material to independent layers for processing, in SpectraLayers or anywhere in the DAW ecosystem. It is simply another view of audio data, and one that - for me at least - just isn't all that necessary most of the time.Īnd, at least to this curmudgeon, audio editing and mixing should be done with the ears, not the eyes.
Mix and render, or keep your edits preserved on. One can, given enough experience, get close with the eyes. One needs a lot less experience to do the same with one's ears. Product Description In SpectraLayers Pro 4, you can work with the individual sounds in an audio file fully visually. I believe that, for the most part, I can still make edits faster, and more accurately, with a razor blade. Manipulate sounds as if they were elements of a photograph. The difference continues to shrink, but it is finite. Now what I can NOT do with a razor blade - not anywhere near as quickly or accurately - is "undo", and thus our current tools do provide us with the opportunity to try many ideas.
I think that Jerry's plan in asking me to be a Beta tester was that if he could teach it to me he could teach it to anybody.That's a good thing.Īnd one day I may even grow accustomed to the computer version of "rocking the reels" to locate the edit point. When I want to use this type of title (it works best on a static clip without movement), I just copy the layout into my bin, edit the words, save it, and place it on the timeline. When editing a project and I want a particular title layout, all I have to do is copy the prepared layout into my bin and the edit the words.įor instance, I like a title that crawls slowly to the right on one line and then slowly to the left on the second line followed by a fade out.
Spectralayers pro tutorial series#
What I plan to do, is prepare a series of layouts and then save them to a file on my video drive.
There is also a section of mobile files that will play flawlessly on My Samsung Galaxy Tab 2 that is several years old. What I have been doing, is playing the tutorials on my laptop next to my editing desktop and following along in Edius as Jerry explains every detail and nuance of the program. Once you watch and follow the first 6 lessons, you are then prepared for the fun part of "How do you do this with Vistitle". Jerry starts with 6 Quick start lessons that prepare you for the rest of the tutorials. I have been fortunate to be one of the Beta testers for Jerry's Vistitle tutorials and this is one of the most comprehensive intuitive tutorials I have ever seen.
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